Getting Over

For Heilbut, then, to be a fan is to know where, and what, the heart is. And throughout the book, across art forms, he argues that the heart is with those who have been turned out; that the center of a community and an art are in fact not at the center, but at the margin. So Aretha got over not because she left gospel behind, but because she kept faith with all of those?Clara Ward, Mahalia, her own father?who came before her. So the German ?migr? Jews, like Heilbut himself, are the truest expression of America, just as, Heilbut argues, Jewish culture was the heart and soul of German culture. The soap opera, that benighted, disdained pastime for working-class women, becomes, through Heilbut's obsessive chronicling, a quintessential American expression. Josh White, the much sneered-at inauthentic token bluesman of the folk revival, displaces Robert Johnson in Heilbut?s pantheon of authenticity, craft, and soul. And everywhere, in everything, from gospel to soap opera to ?migr? literature, the gay experience emerges as inseparable from every form of art and of life.

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